Music by the Numbers: From Pythagoras to Schoenberg. Eli Maor
Music-by-the-Numbers-From.pdf
ISBN: 9780691176901 | 176 pages | 5 Mb
- Music by the Numbers: From Pythagoras to Schoenberg
- Eli Maor
- Page: 176
- Format: pdf, ePub, fb2, mobi
- ISBN: 9780691176901
- Publisher: Princeton University Press
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Music by the Numbers: From Pythagoras to Schoenberg by Eli Maor How music has influenced mathematics, physics, and astronomy from ancient Greece to the twentieth century Music is filled with mathematical elements, the works of Bach are often said to possess a math-like logic, and Igor Stravinsky said "musical form is close to mathematics," while Arnold Schoenberg, Iannis Xenakis, and Karlheinz Stockhausen went further, writing music explicitly based on mathematical principles. Yet Eli Maor argues that music has influenced math at least as much as math has influenced music. Starting with Pythagoras, proceeding through the work of Schoenberg, and ending with contemporary string theory, Music by the Numbers tells a fascinating story of composers, scientists, inventors, and eccentrics who played a role in the age-old relationship between music, mathematics, and the sciences, especially physics and astronomy. Music by the Numbers explores key moments in this history, particularly how problems originating in music have inspired mathematicians for centuries. Perhaps the most famous of these problems is the vibrating string, which pitted some of the greatest mathematicians of the eighteenth century against each other in a debate that lasted more than fifty years and that eventually led to the development of post-calculus mathematics. Other highlights in the book include a comparison between meter in music and metric in geometry, complete with examples of rhythmic patterns from Bach to Stravinsky, and an exploration of a suggestive twentieth-century development: the nearly simultaneous emergence of Einstein's theory of relativity and Schoenberg's twelve-tone system. Weaving these compelling historical episodes with Maor's personal reflections as a mathematician and lover of classical music, Music by the Numbers will delight anyone who loves mathematics and music.
Music by the Numbers - Eli Maor - Bok (9780691176901) | Bokus
Yet Eli Maor argues that music has influenced math at least as much as math has influenced music. Starting with Pythagoras, proceeding through the work ofSchoenberg, and ending with contemporary string theory, Music by the Numbers tells a fascinating story of composers, scientists, inventors, and eccentrics who
Music by the numbers - CERN Document Server
Yet Eli Maor argues that music has influenced math at least as much as math has influenced music. Starting with Pythagoras, proceeding through the work ofSchönberg, and ending with contemporary string theory, Music by the Numbers tells a fascinating story of composers, scientists, inventors, and
The Music of the Spheres, or the Metaphysics of Music by Robert
When he found that harmonic music is expressed in exact numerical ratios of whole numbers, he concluded that music was the ordering principle of the world. The fact that music was . Like Pythagoras, Schoenberg believed that number was the key to the universe. Unlike Pythagoras, he believed his
Pythagorean Longings and Cosmic Symphonies: The Musical
Even after World War II, physics re-engaged archaic Pythagorean imagery in the service of new theoretical initiatives; at the same time, electronic and film music created new “sounds of space” that contrasted with the “cosmic sublime” invoked by Beethoven, Stravinsky, and Schoenberg. So far, though, the sonifications of
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Review | The Music Of The Spheres - Jamie James Author
James movingly outlines Schoenberg's Pythagorean belief in numerology as well as Hindemith's conception of musical intervals as being related to planetary . history of these phenomena right back to Pythagoras — credited with discovering the mathematics of musical intervals — and his cult of mystic number-crunchers.
Music by the Numbers: From Pythagoras to Schoenberg: Eli Maor
Music by the Numbers: From Pythagoras to Schoenberg [Eli Maor] on Amazon. com. *FREE* shipping on qualifying offers. How music has influenced mathematics, physics, and astronomy from ancient Greece to the twentieth century Music is filled with mathematical elements.
The Music of the Spheres - The Imaginative Conservative
This idea of “the music of the spheres” runs through the history of Western civilization with an extraordinary consistency, even up to the twentieth century. Like Pythagoras, Schoenberg believed that number was the key to the universe. Unlike Pythagoras, he believed his manipulation of number could alter
Music by the Numbers - From Pythagoras to Schoenberg - Livros na
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The Music of the Spheres, or the Metaphysics of Music
He wrote a massive work called Institutiones, which echoes Plato's teaching on the ethical content of music, as well as Pythagoras's on the power of number. .Schoenberg took the twelve equal semi-tones from the chromatic scale and declared that music must be written in such a way that each of these twelve semi- tones
Music by the Numbers: From Pythagoras to Schoenberg eBook: Eli
How music has influenced mathematics, physics, and astronomy from ancient Greece to the twentieth century. Music is filled with mathematical elements, the works of Bach are often said to possess a math-like logic, and Igor Stravinsky said "musical form is close to mathematics," while Arnold Schoenberg, Iannis Xenakis,
Chromatic scale - Wikipedia
The chromatic scale is a musical scale with twelve pitches, each a semitone above or below its adjacent pitches. As a result, in 12-tone equal temperament the chromatic scale covers all 12 of the available pitches. Thus, there is only one chromatic scale. Moreover, in equal temperament, all the semitones have the same
The Occult Arts of Music: An Esoteric Survey from Pythagoras to - Google Books Result
David Huckvale - 2013 - Music
Music by the Numbers: From Pythagoras to Schoenberg: Eli Maor
How music has influenced mathematics, physics, and astronomy from ancient Greece to the twentieth century. Music is filled with mathematical elements, the works of Bach are often said to possess a math-like logic, and Igor Stravinsky said "musical form is close to mathematics," while Arnold Schoenberg, Iannis Xenakis,
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